What is a style sheet and why do I need one?

Posted on September 20, 2016 by Elisabeth Kauffman

No matter what type of writing you do, fiction or non-fiction, a style sheet can be a vital tool for maintaining consistency in your narrative. If you write fantasy fiction or sci-fi, though, a style sheet is an absolutely vital component of your manuscript.

What is a style sheet?

A style sheet is an organized list of terms that you regularly use in your novel (or non-fiction manuscript) that are either not found in the dictionary at all, or found in a dictionary other than the standard one your editor refers to. A style sheet also contains information on specific formatting preferences that you have that differ from the style manual that your editor (or proofreader, or formatter) usually refers to. In fantasy and sci-fi, the castle and creature names, and the planet and language names you create would all go into this style sheet.

Why use a style sheet?

Let’s talk about fiction first. Imagine yourself writing. You’re in the zone, creating, painting a picture with your words. Each spelling choice, each adjective, the names of birds and flowers your characters encounter, must be utterly intentional. They are your tools to show the reader what she needs to know about the world your characters inhabit. You need to make sure your terms, usage, and naming conventions are consistent throughout, or risk causing confusion. And you should be able to defend the choices you make, even if, when it comes down to it, the way you spell a word or a name is simply because you want to spell it that way. The best way to do that is to make a record of your intent, and a style sheet is just that, a record of intent and a way to keep consistent with your choices throughout.

Personal example time. I have been revising my own novel for publication later this year. As I am going through the manuscript I find notes I’ve left to myself to follow up on later. I left multiple notes asking myself what the name of the fictional town was that my characters lived in because in the first draft I hadn’t named it! Also there are specific Gaelic words that I use that I can never remember how to spell. A style sheet is a terrific way to keep track of all of these kinds of things, so as I’m revising I’ve started a style sheet note in Scrivener to help me keep track of everything.

Style Sheets for Non-fiction

In non-fiction, a well organized style sheet is your editor’s best friend. You won’t always be lucky enough to find an editor who is also a subject matter expert in your specific field. Some editors are generally experienced with the subjects they edit, and some are even very specifically experienced, but unless you know who you’ll be working with already, and know how intimately they understand what you’re writing about, your best bet is to make detailed notes to ensure that they don’t edit away the meaning of your work in an attempt to make it fit a specific set of standards.

When do you need to make a style sheet?

You can wait until the editing process and ask your editor to compile a style sheet for you. Or you can start your style sheet right now and save you (and your editor) a lot of trouble later. Some people like to wait until their messy draft is complete and they’re on to the revision stage to start compiling a style sheet. This is perfectly acceptable, as you may find that you change your mind about certain terms, or even character names, while revising your manuscript draft.

Review: Finish Your Book in Three Drafts: How to Write a Book, Revise a Book, and Complete a Book While You Still Love It

Posted on June 2, 2016September 21, 2016 by Elisabeth Kauffman

Finish Your Book in Three Drafts: How to Write a Book, Revise a Book, and Complete a Book While You Still Love It by Stuart Horwitz

My rating: 5 of 5 stars

I’m not gonna lie, when Stuart Horwitz approached me with a request to participate in the editing of his newest book, I may have squealed with unadulterated glee like the little fan-girl I am. I have been through this book a few times now and each time I find a new nugget of wisdom that I want to diligently squirrel away to reference during future projects. I already reference Book Architecture all the time in my work as a freelance editor. Now I’ll be adding Finish Your Book in Three Drafts: How to Write a Book, Revise a Book, and Complete a Book While You Still Love It to my “essentials” shelf.

Stuart’s break down of the process of building your manuscript is empowering; it’s freeing. You’re not bound to creating an outline or to following a linear path when you’re writing anymore. The tools he shares in this book (series grid, theme target, punch list) can help you make sense of the writing you have already done and be intentional about where and how you build and layer the significant moments as you continue to craft your manuscript.

And, bonus, Stuart’s book, Finish Your Book in Three Drafts, shows you how to know when you’re done, how to give yourself permission to put down the pen on a project.

The storytelling element of this particular volume makes it different from other books I’ve read on writing, outlining, and crafting your manuscript. Stuart’s pith and wit made the subject matter all the more enjoyable.

I highly recommend this book (and his other titles) to anyone who wants to develop their writing process, who wants to look at their craft differently, and who wants to finish their manuscript while they still love it.

View all my reviews

Stop pretending art is hard

Posted on May 17, 2016September 20, 2016 by Elisabeth Kauffman

creativity — This post is inspired by the DIY MFA Street Team Question of the Week

This week, Gabriela from DIY MFA challenged her Street Team members to think about creative myths that keep us from diving in and doing the work of writing. She listed these 5 myths about creativity:

Creativity is an exclusive club, and you can’t be part of it.
Creativity is innate–you either have it or you don’t.
Creativity is driven by chaos, so there’s no way to control it.
Creativity is all about getting that one “Big Idea.”
Creativity is focusing on an idea until it’s perfect.

But I know of another myth, one that encompasses all of these and more, one that we all use when we’re too tired or too scared to do the writing (or painting or playing or dancing or singing or whatever your medium is).

Art is hard

This myth… this is what we’re really thinking when we tell ourselves we don’t have what it takes, when we tell ourselves that we’re not good enough, or that we’re too “left-brained” to be creative. We think that the act of creating, whatever it is, it’s going to hurt. We buy into the idea that if we’re going to create something significant, something worthy, that we have to suffer for it. And if it’s easy or if we enjoy it then it’s not really art.

We’ve been fed this narrative our whole lives. But it’s bigger, older than just our generation. The trope of the starving artist was already popular in Puccini’s day. Why do you think La Boheme was such a hit? The artist must suffer and die for the sake of their art. If not, then what good is it really?

It’s ok to enjoy the creative process

Allow me to release you from the thrall of this myth. Art does not have to be hard… Art can, nay it should be drawn from the deepest seat of your pleasure and joy.

That’s not to say that you won’t be challenged by creating, or that you won’t have to practice parts of your craft to improve. But it never has to be hard. You never have to suffer in order for it to be “good.” You can come to the computer or the canvas or the keyboard or the stage joyfully. If you don’t, you have to ask yourself if what you’re trying to achieve is really worth it.

The key is confidence

Perfection is hard. Not making mistakes is hard. Measuring up to someone else’s standards is hard. But these things are not art. They don’t serve art. And they don’t bring us joy in the practice of them. Instead they make us overly cautious and afraid to try new things.

When we’re tentative and nervous and just looking for acceptance, it’s easy to feel like we’ll never measure up to the standards and expectations of the “creative club” we want to join. But if we can talk ourselves over the fear of rejection and criticism and just enjoy the process of learning as we create… That’s where the magic happens!

Stop pretending art is hard. – Amanda Palmer, The Ukulele Anthem

She’s dead right. We have to stop pretending that we’re not ready yet. Dive in. Have fun!

(Hey! Did you know that Gabriela has a book coming out this summer? Check it out and order your copy here!)

Want to know more about how to up your writing game? Sign up for the Writing Refinery email newsletter. You’ll also receive a free Character Detail Sheet that can help you learn everything you need to know about the main character in your current WIP!

When the going gets tough, real writers…

Posted on April 18, 2016September 21, 2016 by Elisabeth Kauffman

unnamed — This post is part of the DIY MFA Street Team Question of the Week series

You know the saying… “The best-laid schemes o’ mice an’ men / Gang aft agley…” (Thank you, Robert Burns). It’s our way of mourning the death of every New Year’s resolution… If you’re anything like me, you start out the year with the best intentions (#writeeverydamnday). You may have even had a plan for how you were going to accomplish your goals.

But what plan doesn’t run into kinks? Sometimes the kinks are nothing more than the common cold or sleeping through your alarm a couple of times, but other times major life stuff comes up that you can’t just get around dealing with. That’s how life goes. We all know it’s true. Having a plan for how you’re going to accomplish your goals when everything is going smoothly is one thing. What’s your plan for when everything “Gang aft agley”?

What Real Writers Do

If you’re the kind of person who never makes a false move, you’re probably not reading this blog, and obviously I’m not writing this post for you. Honestly, you’re the person we all aspire to be… but you’re also the person who makes the rest of us feel shitty when real life gets in our way. Why can’t our lives go perfectly, too?

Lofty goals of writing (Stephen King writes 2,000 words a day, “and only under dire circumstances do I allow myself to shut down before I get my 2,000 words.”) are all well and good, but come on. Who has the time/energy/resources to live up to Stephen King’s standards?

So if you don’t live up to that prescriptive method (or anyone else’s list of things that “real writers” do) does that mean you’re not a real writer? Or that you don’t take your craft seriously?

No freaking way. You should always have goals, always set out for the top of the mountain. The good news is, you don’t have to feel shitty when you have to stop before you get there. Because let’s face it, it’s gonna happen. And your writing life (career/identity/dream/whatever you call it) should be built to take it. How?

My friend Gabriela at DIY MFA* calls it “Honoring Your Reality.” Also known as Elisabeth’s Second Commandment: Don’t compare your journey with someone else’s.

The secret is recognizing what you need in order to be the most happy, healthy, productive person, and doing that. It doesn’t matter that Stephen King writes 2,000 words a day. How many words a day can you write? Or maybe it’s how many words a week? Whatever your number and time-span is, own it. Be proud of yourself for getting any words out at all. IMO, some words are better than no words. The actual number and time spent writing varies from moment to moment.

Honor Your Reality

For me, the more I allow myself to do what I need to do, the easier I find to make time for the things that really matter to me. And right now, writing is one of them. But sometimes it’s making sure I’m well rested. And sometimes it’s going out with my friends and having a new experience. Because those things, even if they take away from my writing for a day, will make me a better writer in the long run.

Who writes well when they’re exhausted? And who writes creatively and with nuance when they’ve been shut away from the world for too long (well, besides Emily Dickinson)? But see? Even she honored her reality. She could have said, “I’ll never be a real writer because I haven’t seen enough of the world.” And we all would have missed out on the beautiful brilliance of her voice and her perspective.

And sometimes there are even heavier issues than just being worn out or needing to get out for a while. Sometimes life throws you a real curve ball… When that happens you have to give yourself the space and grace to do what you can when you can. The alternative is living with pain and guilt and shame. And, having been down that road before, I’d advise against it.

So you, yeah you. What’s your reality? What do you do when the going gets tough and you’re struggling to find the time to write? Do you make yourself feel terrible for it? Because you should stop that right now. Figure out what you need to be the person you want to be. And then go do it! That’s what “real writers” do. We write. And we also live.

(Hey! Did you know that Gabriela Pereira of DIY MFA has a book coming out this summer? Check it out and order your copy here!)

Want to know more about how to up your writing game? Sign up for the Writing Refinery email newsletter. You’ll also receive a free Character Detail Sheet that can help you learn everything you need to know about the main character in your current WIP!

Why I write

Posted on April 11, 2016September 21, 2016 by Elisabeth Kauffman

I’ve been a reader since very young. At 3 years old, I memorized Peter Rabbit… literally knew which words went with which pages, even though I wasn’t associating words with meanings quite yet. I knew that story so well, backwards and forwards, what happened when… we have a recording of my 3-year-old voice “reading” the story to my aunt, and when I get to the end of it, I just start the whole story over again…

I think that being a reader, falling in love with books and stories, is part of how one becomes a writer. There’s something magic about the way that words unlock the world. They lift you out of your current experience and thrust you into another place and time, be that world fictional or utterly real. We are transported by the words on the page, made to think of something other than ourselves if only for a moment. And once you connect with that magic in such a personal way, who can resist the draw of being able to harness the power yourself?

I wrote my first book when I was in elementary school about dolphins, on construction paper and stapled together, complete with researched and organized chapters and oil pastels illustrations. (If I can find it, I’ll post pictures here.) After that I was hooked. I created stories in my head and in spiral notebooks, about horses and unicorns in elementary and middle school, and about angsty love and rejection when I was a little older. Nothing that was worth publishing, most of which I would never share with anyone, not even my most trusted companions. I stopped writing in college (got distracted), but I picked it up again a few short years later.

Now I write light YA fantasy, crafting strong female characters to speak directly to that angsty, rejected teenager I was all those years ago. I’m planning a self-publishing adventure this summer (follow my progress at www.elisabethkauffman.com) and the fulfillment of a promise I made to myself as a teenager to publish something that I wrote.

How we came to this land of writing matters for one very important reason. Your writer’s origin story is what you should fall back on when the going gets tough. If you’re serious about succeeding in this often frustrating and soul-crushing world of publishing, you’re going to have to remind yourself why you started in the first place.

For me, when I get scared of sharing my writing because I’m anticipating the painful process of internalizing feedback (growth HURTS, people, it’s why they call them “growing pains”) and getting better as a writer, I think of that teenage me, shiny-eyed, expressive, and innocent. She wanted these stories to be told because she wanted a story to relate to. When I suffer through the painful parts of this process, I do it for her.

Who do you do it for?

*Just FYI, the fab Gabriela Pereira of DIY MFA is releasing a BOOK in June. Learn more about it here.

You have permission to suck

Posted on March 24, 2016September 21, 2016 by Elisabeth Kauffman

I hope you don’t feel neglected, readers. I’ve been deep in the world of my own writing for the past few months, and so I’ve been pretty silent here. I have been sharing the pain of creation with you, the epic struggle that is taking words on the page and making sense of them. It’s not easy. It’s bleeding your heart’s blood onto the paper and then expecting that paper to get up and ask you to dance.

In the process of all of this bleeding and struggling and creating, I’ve been listening to podcasts and reading advice articles from published authors. I’ve been gleaning advice and encouragement and inspiration for myself and also to pass along here to you! But let me tell you, not all of it has been very encouraging.

Growing Pains

There are some good resources out there that help to make sense of this phase of writing that I like to call the “growing pains” phase. But most of the people who have made it seem to have forgotten what it’s like to be there, to be working on your FIRST novel, to be hoping that one day you’ll be on a best-seller list, to be completely unsure that you’ll ever achieve your dreams.

They all talk about it, to be sure. Every one of the podcasts I’ve listened to or advice columns I’ve read talks about the fact that the “growing pains” phase really sucks. That it’s painful and horrible and you’re often embarrassed to admit that you ever wrote that last piece of drivel, let alone that you published it. They forget to remind you that they once were in your shoes and that they had to fail in order to succeed. It’s almost like they pretend that phase of their writing careers never REALLY happened.

The confusing part is that in the traditional publishing world debut novels are never first novels. And they forget to tell you that sucking is an essential phase that you have to go through in order to get better. This part where your writing is awkward and you’re still discovering your voice, this is where you gather your true audience.

Warts and All

If you want people to read what you write, you have to start sharing it. Only then will it get better. Only then will people be touched by what you have to say. Only by sharing your first, heartfelt, awkward, and authentic attempts at the thing you care about will you connect with people who genuinely care about what you have to say.

It’s what we love in our characters. We love the vulnerability of characters that don’t always get everything right, that aren’t the most polished and professional. We love them for their flaws. I’m not saying that your work should never become more polished, but it’s part of the process. Show the bumps in your process so that they can be smoothed. Give people the opportunity to see you grow! And who knows who you will encourage in the process.

You Have Permission

You have permission to write that first, bad novel. You have permission to publish it yourself. Sure, it may fail spectacularly, but if you don’t try you don’t learn. If you don’t put your writing out into the world to start getting feedback, how are you ever going to get better?

So go ahead, write that first novel. Work on it, love it, put your heart into it. And then try not to be crushed if it’s not a flying success. No one expects you to succeed on your first try. You’re making space for yourself to grow, to become the storyteller you were meant to be.

You started writing because you have a story to share. Well, someone out there is waiting for that story, and the next one, and the next one. Get started. Share your voice with the world.

How Well Do You Know Your Main Character?

Posted on January 5, 2016September 21, 2016 by Elisabeth Kauffman

There’s nothing worse than getting a manuscript back from beta readers, or losing stars on Amazon reviews, because your character did something that those readers didn’t believe they would do. How do you write your characters so they stay true to themselves?

Your characters are the most important piece of your story. So knowing them like they are your best friends is the best way to make sure that you tell their story in the most consistent and compelling way. How well do you know your main character?

The two Elizabeths* above are similar in many respects. Both women have the same name, are from similar time periods, and want to find love. But beyond that, these two women are as different as can be. If you don’t know which Elizabeth you’re writing a story for, you might find yourself in trouble.

Check your scenes and your characters’ actions. Will your reader say to herself, “That’s so Elizabeth Bennett,”? Or will she be confused as to why your character acted the way she did?

Sometimes, though, you can get so caught up in carrying out your story’s plot that you force your character to do something that is… out of character. So how can you make sure that your Elizabeth Swann stays true to her character throughout the story?

First, know as much as you can about your character, where she comes from, what motivates her, what she hates and what she loves. You can do this by the simple use of a character questionnaire. Character questionnaires push you to answer all the nitty gritty little questions about your character that make her who she is. When was she born? What is she afraid of? What is the one thing that she would never do in a million years, even if her life depended on it?

Knowing what your character loves, what she absolutely would or would not do, will help you when it comes to those problem moments in your manuscript. It will also help round out your character, making her seem more three-dimensional.

If you’re worried about how your character would act in a given situation in your manuscript and you want to test out her reactions first, you can try writing a “sandbox” scene. This scene won’t go in your manuscript (unless you REALLY like it), so you can feel free to push the boundaries on your character, make her as uncomfortable as possible and see how she responds. And don’t hold back. Don’t go easy on her or you won’t learn anything new.

Don’t forget, if your character absolutely refuses to conform to the scene as you intend it to be written, you’ll have an easier time changing the scene than you will trying to change what makes her who she is. Your story will become much more real and believable if you let her choose the direction she goes, rather than forcing her into patterns of behavior she wouldn’t normally choose for herself.

But you won’t know which direction your character would choose if you don’t know everything about her. So get started answering questions about her. Learn everything you can about her, about what she wants, about why she’s decided to take this adventure. What’s most important to her?

So how well do you know your main character? If the answer is “not very well,” download this questionnaire and get started learning more about her.

*P.S. I realize that both of the above women played the SAME Elizabeth as well, so I hope my example isn’t too confusing. And, if you would like to discuss the merits of the BBC miniseries of Pride and Prejudice versus the movie made with Keira Knightly, I’m here for you. But I will never betray Colin Firth. He is my Darcy now and forever.

Don’t Let Mental Monsters Stand in the Way of Your Goals

Posted on November 30, 2015September 21, 2016 by Elisabeth Kauffman

I ran 70 miles during the month of November. I also wrote 50,000 words of a novel. Both of those numbers are HUGE when you think about the average amount of running and writing I normally do. No, I don’t have super powers suddenly. I didn’t do it all at once. I took it a day at a time, followed a prescribed regimen, and when I wanted to quit I didn’t allow myself any wiggle room.

November is National Novel Writing Month. I used the momentum and accountability of that group event to propel me through my writing goals. I made sure to meet or exceed expectations every day because I’d made a public commitment that I wanted to uphold. But more than that, I’d committed to myself and to my characters to tell their story and I didn’t want to let myself or my characters down.

Does it always come easily? No! Do I ever have days where I want to just give up and go back to my old habits? Yes!

Old habits die hard

With both my running and my writing, I have days when I wake up and think “Oh god, I just want to stay in bed.” Those are the days when I need the running and the writing the most. The mental monster, the one that’s telling me I’m too tired to run or too boring to have any good ideas to share in my writing, that’s the one that I confront with my schedule, with my commitment, with my determination.

When I let that monster win I feel terrible. My self-esteem and self-talk go down a dark, even abusive path. I hate how I feel when I allow myself to shirk my goals, when I give in to the monster talk and let another day go by without working toward my dreams.

But!! Every day that I get up and refuse to listen to that monster telling me to shut up and stay in bed, I kick that monster’s ass again. It doesn’t get easier over time. Every time I have to fight that mental battle, it sucks and it’s painful and I want to cry before I finally convince myself to do the hard thing, to do what I committed to do.

And yet, the more I choose to fight for what I want for my life, the less often that monster speaks up.

Take that first step

My running is another story but it follows a very similar mental track. Who knows why I decided that November, when I started my most intensive month of writing, was a good time to kick off a half-marathon training program? Maybe the timing wasn’t ideal, but then maybe it was. I have a larger goal with my running. Before I turn 40 I want to run a marathon.

And as with writing, I have to start if I ever want to finish. I know that if I want to reach my goal of 26.2 miles, I have to step out the door. And if I ever want to see my name in print on a novel that I’ve written, I have to write the first words. And then the next words, and the next step, until I get to the finish line.

There are bound to be set-backs along the way, but just because I know I will fail sometime, does that mean I should never start? No! I cling to my dreams and push myself forward, pick myself up when I fall down, and start again.

So why am I telling you all this?

I know I’m not the only one who goes through this daily ritual of talking down the monsters, of putting the fears aside and taking a risk to achieve my dream. And I want you to know that you CAN do this. You’re not crazy. That dream you have of publishing (or of running a marathon), it’s yours. You should cherish it, commit to it, and show up every day to prove how much it means to you.

It helps if you can find your tribe. The encouragement and accountability you get from people with similar goals, or even just people who unquestionably believe in you–that’s solid gold. When you find it, never let it go.

But sometimes you have to go it alone. Sometimes you have to acknowledge that your goals are for you, and that even if no one else understands why you’re doing what you do, you have to commit to them. That’s not an easy place to be, but it’s no excuse to quit. You owe it to yourself to follow your heart, to reach for your dreams and never give up.

So… Show up. Even when it hurts. Even when you’d rather not. Even when it seems like the finish line is so far away. Every step you take, every word you write, brings you closer to achieving your dreams.

4 ways to avoid stereotypes in your writing and create rounder, more realistic characters

Posted on October 19, 2015January 11, 2017 by Elisabeth Kauffman

It can be really hard to avoid stereotypes in characterization when you’re setting up your novel. A stereotype is “a widely held but fixed and oversimplified image or idea of a particular type of person or thing.”

We all use stereotypes in everyday life, whether at the grocery store or filling up at the gas station or at a scientific symposium. For better or worse, they help us categorize the world around us.

But they can also get us into trouble when we forget to allow the people around us to be larger and more complex than we expect them to be. Stereotypes are so embedded in our conscious and subconscious that they end up on the pages of our novels before we really have a chance to process why we have chosen them.

Reasons to avoid stereotypes

These are a few reasons why you should avoid stereotypes in your characterizations.

They are unrealistic. People are wide and varied in their looks, interests, and self-expression. Fiction does not always have to reflect reality, of course, but if anything it should push the boundaries and create more options instead of less.
They are limiting. Once you decide to allow a character to conform to a stereotype, there’s not much left for them to do. You’re stuck having them act according to that stereotype instead of allowing yourself room to write the story outside those limits.
Stereotypes mean flat characters. There’s nothing to a stereotyped character. No motive, no real depth or dimension to him.
And once they stop having depth, your characters become uninteresting. Why would you want your characters to be predictable and boring?

If you want your novel to be memorable, you’re going to have to take some time to examine your characters and root out as many stereotypes as you can. Here are four ways to avoid using stereotypes in your writing to create rounder, more realistic characters.

4 ways to avoid stereotypes

Spend some time people watching, and especially people that are different than you. I know this sounds a little stalker-like, but if you take the time to observe (or better yet, get to know) people who are remarkably different from you, you’ll begin to see how varied their actions, interests, body types, and style preferences are. Inform your writing by learning as much as you can about the people you are trying to portray and writing them as realistically as possible.
Challenge convention. If you can’t find people similar to the characters you are writing, that’s ok. Take a few minutes to ask yourself why you portray each character the way you do, what purpose they serve in the story, and whether your story would be better served if that character did something completely contrary to what people expect. Why constrict your writing and your characters’ potential by forcing them to conform to a specific trope?
Create rounder characters. The definition of a stereotype speaks for itself. It’s oversimplified–a caricature. You owe it to your characters to make them as deep and complex as possible. Again, this comes back to why you portray a character a certain way. Ask yourself if there’s a deeper, more meaningful way to describe that character or their actions.
Make your characters unforgettable. How do you do that? By having them do unexpected things. If a character is flat and unimaginative, if he/she/it conforms to the expectations of your readers in style, language, and actions, then he/she/it will probably not leave much of an impression. Readers remember characters that shake up their world and challenge their preconceived notions of reality.

Look beyond the stereotype

Discovering stereotypes and conscientiously eliminating them from your writing is hard! It requires that you do some deep self-reflection as well as some heavy developmental editing. But your writing will benefit so greatly from the exercise. And your readers will deeply appreciate the effort.

3 ways to turn off your inner editor

Posted on October 12, 2015January 11, 2017 by Elisabeth Kauffman

Ah, the inner editor. She’s so helpful when you want to be eloquent. But when you’re drafting she can be the bane of your existence, especially if you ever want to finish a manuscript.

If your inner editor is anything like mine, she’s anxious and picky and painfully overbearing. She insists that everything be perfect, so perfect that she makes it difficult to move on to the next scene, or even the next sentence sometimes!

If you take a step back from your frustrations for a moment, you can see that your inner editor is just trying to be helpful. But she can kill your momentum and your self-esteem, getting in the way of your ability to complete a project.

Here are three ways to turn off your inner editor so you can get some writing done!

Put your editor away – Like, physically put her away. You may want to pick an object, or draw a picture, to represent your inner editor, however you visualize her. Then, once you’ve completed it, thank her for her services and put her in a closet, or a box, or somewhere out of sight where she can’t look over your shoulder and offer criticism. You can pull her back out of the closet when you’ve finished the manuscript. But for now, she needs to shut up and let you do the work.
Break down your writing sessions into manageable pieces – When you think about writing an entire manuscript (all 50,000+ words) your inner editor freaks out. There are too many opportunities to screw things up in that giant project, she says. How can you keep track of it all? Instead, think of each writing session as a separate project. Pick a word count (500, 1000, 1667 words) and focus on that. Don’t worry about the larger picture yet. You and your inner editor can have fun working that out later. For now, your manuscript just needs to get written.
Add a little pressure – Don’t give yourself too long to linger over those 500 (1000, 1667) words. The longer you linger, the easier it is for your inner editor to creep back in and start criticizing what you’ve done and what you haven’t done yet. Set a time limit and push yourself to get to your writing goal before she has a chance to stop you in your tracks!

Create now, inner editor later

I use Write Or Die, a fabulous little app to keep my fingers flying over the keys and get me to my daily word count goal as quickly as possible. It’s not very expensive and a great motivational tool. You can try Write or Die out for free here if you’re not convinced yet. Or just set a kitchen timer and get to typing! Whatever you need to do to get the words on the page, do that.

Your inner editor can be a helpful tool when the time is right, so don’t banish her forever. Just remind her that, until you’re done creating, it’s not her turn yet.